Yoda was wrong. There are only tests. Even more so when we buy the greatest sagas in the history of cinema, for the modest sum of four billion dollars. On October 30, 2012, Disney acquired the entirety of Lucasfilm. But of all the lines of a contract that we imagine to be massive, Star Wars was obviously the most important. From January 2013, the ambition of Bob Iger, the former president of The Walt Disney Company, became palpable. Without a doubt, the company is thus inaugurating one of the biggest projects in its history and new feature films which will remain shrouded in mystery despite their scale. Whether they come from the new trilogy, consisting of The Awakening of the Force, the Last Jedi and The Rise of Skywalker, or this famous collection of spin-offs, today made up of Rogue One: A Star Wars Story and Solo: A Star Wars Story, these films maintain a relationship complex with the first three adventures signed by George Lucas, which seem to form Disney's yardstick for its own interpretation of the saga. So, how does Disney reinterpret the original trilogy in its new films, series and other derivative products? In five films and hundreds of works of all kinds, the enterprise has often been limited to simple imitation. But she ended up finding the courage to extend the original work with more or less daring, even if it meant reinventing it, sometimes radically. And it is together that we will explore the new stories, the hybridizations, even the contradictions that Disney was able to create by rubbing shoulders with the work of George Lucas.